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Monday, August 1, 2011
8/1/2011 - Sinister Sites – The Denver International Airport
Sinister Sites – The Denver International Airport
An apocalyptic horse with glowing red eyes welcoming visitors? Check.
Nightmarish murals? Check.
Strange words and symbols embedded in the floor? Check.
Gargoyles sitting in suitcases? Check.
Runways shaped like a Nazi swastika? Check.
OK, this place is evil.
But seriously, there are so many irregularities surrounding the DIA, that a voluminous book could be written on the subject. The facilities and the art displayed lead many observers to believe that the DIA is much more than an airport: it is literally a New-Age cathedral, full of occult symbolism and references to secret societies. The art at the DIA is NOT an aggregation of odd choices made by people with poor taste, like many people think. It is a cohesive collection of symbolic pieces that reflect the philosphy, the beliefs and the goals of the global elite. The DIA is the largest airport in America and it has cost over 4.8 billion dollars. Everything regarding this airport has been meticulously planned and everything is there for a reason.
The airport facilities themselves raised a ton of questions regarding the true purpose of the mega-structure. Numerous “creative” theories are floating around the DIA regarding underground military bases, aliens and/or reptilian creatures. While I’m aware that anything is possible, we will stick to the documented facts.
The airport was built in 1995 on 34,000 acres. Its construction forced the Stapleton International airport to shut down, although it used more gates and runways than the DIA. The initial cost of construction was 1.7 billion $ but the final project elevated the bill to 4.8 billion: 3.1 BILLION $ over budget. Numerous irregularities have been reported regarding the construction of the site:
Different contractors have been hired for different parts of the airport. They’ve all been fired after their job was done. This lead observers to believe that it was a strategy to make sure nobody had the full scope of the project.
110 million cubic yards of earth have been moved, way more than usually required. This arose suspicion of construction taking place underground.
5300 miles of fiber optics were installed for communications (USA coast to coast is 3000 miles in comparison).
Fueling system that can pump 1000 gallons of jet fuel per minute. This amount is totally absurd for a commercial airport.
Granite imported from all over the world even if the project was already grossly over budget.
Construction of a huge tunnel system (trucks can circulate in them) and underground trains. Most of those aren’t used at the moment.
Analysis of the data available makes me reach at least one conclusion: this gigantic structure will eventually become much more than a regular commercial airport. It has the capacity to handle a huge amount of people and vehicles, leading observers to think that the structure might be used as military base and others even add that it will be used as a civilian concentration camp in the near future. I will not advance on this subject because I do not have proof of those claims. I however would understand why such plans would be top secret. Let’s look at the soothing, traveler-friendly art on display at the DIA.
1- Horse of the Apocalypse
So this is what welcomes you when you enter the gates of hell…sorry, I meant the gates of the airport. A 32 foot high fiberglass stallion with veins popping out of its whole body and demonic eyes that glow red. Nice. I heard the children love it. Interesting fact: the horse killed his creator, Luis Jimenez, while he was working on it. A portion of the sculpture came loose and smashed him, causing fatal injuries. His friends now say that the horse is cursed.
What does it represent? The 1st thing that came to mind when I saw this horrendous piece (for an aiport anyways) is: the Pale horse of the Apocalypse. It is the fourth horse in the book of Revelation in the Bible and is approprietely called “Death”.
“And I looked, and behold a pale horse;
and his name that sat on him was
Death, and Hell followed with him. And
power was given unto them over the
fourth part of the earth, to kill with
sword, and with hunger, and with
death, and with the beasts of the earth”.
In other words, the horse “Death” brought killing with weapons, with hunger, and with disease. That’s pretty extreme a family airport, right? Doesn’t seem like that horse should be there. You will soon realize that it fits perfectly with the rest of the DIA. By the way, this is one scary horse anus!
2- Masonic Capstone
The stone is situated in the “Great Hall” of the airport (term that is also used by masons to refer to their meeting hall). There’s Freemason symbols on the stone and on the “keypad” which seems to be written in braille.
Notice on the capstone the mention “New World Airport Commission”. This particular commission does not exist, so it most likely refers to the New World Order. There is also a time capsule buried under the stone to be opened in 2094. The angled arm is very enigmatic seems to have a purpose other than being decorative. Any insights on this?
3- Prophetic Murals
Divided into four walls, the murals painted by Leo Tanguma are supposed to represent peace, harmony and nature. But I’m not getting these messages at all. When you analyze the symbolism of the murals, you realize that they tell a terrifying story of future events about to happen, as if it was some sort of prophecy. There are specific social and political references and other occult details that basically turn those paintings into a New World Order manifesto. Tanguma reportedly confirmed that he was given guidelines for the paintings and was paid 100 000$ for the first ones. He later denied he was given instructions and refuted any questions regarding hidden meanings in his paintings. Previous Leo Tanguma murals were typical Chicano art, politically charged and community oriented. However, his work at the DIA sends a totally different “vibe”, giving me the gut feeling that he simply drew someone else’s vision. Let’s look at the paintings one by one:
A) “Peace and Harmony with Nature“
So the airport’s official website says that the name of the mural is called “Peace and Harmony with Nature”. Really? At the center of the piece, saddened children with extinct animal and plant species. In the background, a forest on fire and further back, a city on fire.
An interesting fact about that city is that it has been retouched and painted over many times during the years, as if it represents something important for the creators. It seems surrounded by an ill colored haze, as if it was attacked by a bio-chemical weapon.
One of the children holds a Mayan tablet depicting the end of civilization.
At the bottom, of this peaceful painting, we see three open-caskets containing dead girls from different cultures. Left is a Black woman, center is a Native woman. Why are they laying there with the other animals? Are we predicting the extinction of those races? We already know that the military has developed race-specific chemical weapons. Here’s what the Project for New American Century (PNAC), a think tank that defines the foreign and defence policy of the US has to say about this:
"... the art of warfare ... will be vastly different than it is today ...
“combat” likely will take place in new
dimensions ... advanced forms of biological warfare that can “target” specific
genotypes may transform biological warfare from the realm of terror to a
politically useful tool."
The girl on the right holds a Bible and a yellow “Juden” star used by the Nazi to identify jews. It seems to symbolize the death of Judeo-Christian beliefs. The group at the origin of the imagery of this airport are definitively NOT Christian or Jewish. Secret societies have their own belief system that is way too complex to explain here (check the “Educate Yourself‘ section for more info). I can however tell you that caskets are an important part of masonic symbolism as you can see in the next image depicting the main symbols of freemasonry. Tombs are also a big part of the Skull and Bones’ rituals.
B) Children of the World Dream of Peace
The 2nd mural is a two part piece. We read from left to right, so I will analyze it from left to right.
Children of all colors, dressed in folkloric costumes give weapons wrapped in their country’s national flag to a… German boy? Huh? Yes the Bavarian costume leaves no doubt. The boy at the center of the image, holding the hammer and apparently building something is German. Even the American kid (dressed as a boyscout) seems eager to give his weapons and flag to the German boy. You’re in the largest airport of America, in the middle of the USA, and this is the mural we display. America joyfully submitting to Germany. It’s just too odd to compute. This obviously represents countries of the world giving up their military might and their national identity for “the common good”. Another reference to a New World order, with one government and one army. But why is the German boy at the center of everything? There are so many allusions to Germany and Nazism in this airport, there is NO WAY it can be a coincidence. I can’t help but to think of”Operation Paperclip“, which brought prominent Nazi scientists and researchers to the USA after WWII. Laying at the bottom of the mural is a broken figure holding a riffle (representing war) with two doves sitting on top of it (representing peace). Heartwarming. Now follow the movement the of the rainbow that starts underneath that statue, going around the children and leading you to part II of the mural (which has recently painted over)
The monster has awakened! This big and aggressive militaristic figure is dressed in a Nazi uniform (notice the symbol on the hat) with a face shaped like a gas mask. His hands are holding a rifle and a scimitar that is rather violently molesting the peace bearing dove. On the left is depicted an endless lineup of crying parents holding their limp, dead baby. This is a truly atrocious painting, with no redeeming message or moral. The fact that this was displayed at the main gate of the largest airport of America, during the age of political correctness (the nineties) is totally aberrant. The militaristic figure is glorified and all-powerful, situated at the center of the action. It has regained its powers that it seemed to have lost after WWII. It is back in full force and its leading the way to a new holocaust.
Look closely at the people on the left and the dead children sleeping on bricks. There is no traces of violence on them. They’re simply devoid of life, as if they were poisoned by the deadly gas emanating from the rainbow above them. The monster, protected by his gas mask, is pointing the lineup of victims towards the letter on the bottom left.
It is an actual letter written by a Hama Herchenberg, 14 years old, that died December 18, 1943 in Auschwitz Concentration camp (as written at the bottom of the letter). A little disturbing isn’t it. Auschwitz was infamous for it use of toxic gas.
The camp commandant, Rudolf Höß, testified at the Nuremberg Trials that up to 3 million people had died at Auschwitz, about 90 percent of whom were Jews. Most victims were killed in Auschwitz II’s gas chambers using Zyklon B
The presence of a colorful rainbow and a teddybear in this image, symbols our minds instantly associate with youth and innocence, is totally sickening and twisted. One last thing about the scimitar: it is a symbol often used in masonic imagery:
C) Peace and Harmony with Nature
What do you do when you’ve killed most of the world population with toxic gas? You celebrate around a genetically-modified-glowing plant of course! Happy people from all over the world irresistibally heading towards that plant, some are almost flying towards it. Right above this plant (that doesn’t exist in real life) is a Jesus-like figure but is definitevely not Jesus.
All of the extinct species of the 1st mural are all back in action and you even see a little dove appearing in the plant. How nice. They feel so much better now that there’s much less people on earth now. The animals are happy too and they thank you for dying. People can now use high levels of scientific knowledge to live in a state of synthetised happiness provided by genetically modified plants. Good for them. The whales are jumping in the air, high-fiving humans. If you look closely at the baby tigers, they have faces of human children. Its it quite bizarre. This whole piece reaks of genetic modification and magick.
To sum up, those murals clearly depicted admitted goals you can read in documents calling for a New World Order:
Massive depopulation of the earth
Death of Judeo-Christian beliefs
One World goverment
Restauration of nature
If you’ve read my piece about the Georgia Guidestones, you might notice that the themes are strickingly similar. Coincidence? The Georgia Guidestones also feature a capstone with a time capsule buried under it. There is no “conspiracy theory” here, those are facts. Everything is written in stone for you to see. The elites own this place and they build monuments to celebrate their culture. Their “divine knowledge” is however inaccessible to you unless you’re a high ranking member. There is so much to interpret in those murals that I’m convinced I’ve missed alot of details (colors, shapes, movement, symbols).
3- The Swastika Runway
After seing all of the allusions to Nazi Germany, would you be surprised if the runways were shaped like a swastika? Here’s an aerial view of the runways and below is how the runways appear in Google Map. Draw your own conclusions.
I highly doubt that the guy who drew the runways did not notice their odd shape. I mean, someone in the process of drawing and/or building had to say “Wait a minute, this kinda looks like that Nazi symbol! We should maybe change it! We don’t want our new 4,1G$ airport to be offensive or anything”. But that did not happen for some reason.
4- Other weirdness
Like I’ve said before, a book could be written on the DIA, so I’ll leave you with unsorted oddities you can see at the DIA.
The symbolism of gargoyles has always been a mystery. Nobody can really explain the reason of their presence, specifically on religious buildings. Are they remnants of past pagan beliefs that never went away? Do they represent something only “illuminated” people know about?
“What are these fantastic monsters doing in the cloisters under the very eyes of the brothers as they read? What is the meaning of these unclean monkeys, strange savage lions and monsters? To what purpose are here placed these creatures, half beast, half man?-St Bernard of Clairvaux, 12th century
These photos are of a strange set of symbols that run in the floor from the south end of The Great Hall on Level 5 and progress to the north end of The Great Hall. Note the black disk which is occulting the sun. There is no mistaking the architecture in the floor as depicting the sun, and the black disk is beginning to eclipse it. When we arrive at the north end of The Great Hall, there is a statue of Jeppesen which is covering the sun. Is it a reference to the black sun, as worshiped by the Nazis?
Is it supposed to be “native” art representing mother earth? Looks like an alien “sprinkling” life on earth. Whats with the little faces at the top of the painting? Are they alien watching us from space? I don’t know, I can’t find any information about this piece. It makes me think of crop circles for some reason.
I hope you’ve enjoyed this virtual tour of the DIA and that you currently have a huge question mark on top of your head at the moment. For more information regarding secret societies and their beliefs, please visit the “Educate Yourself” page. If you have more information regarding the DIA, please feel free to contact me.
Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols. Even more unsettling is the fact that those images seem to predict events of a radical world change in the not-so-distant future. Are those murals predicting the coming of an occult New World Order? We will look at the occult meaning of the symbols found on the Bank of America frescoes.
A reader of Infowars sent me pictures of some very odd murals displayed at the Bank of America Corporate Center in Charlotte, NC. Needless to say they immediately caught my attention, as I was flabbergasted by their symbolism and their message. I also couldn’t help relating them to the ominous murals of the Denver International Airport.
Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.
The three frescoes ruling over the lobby of the Bank of America Corporate Center.
Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left. The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there. There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:
The fresco on the right is dubbed Planning/Knowledge. An esoteric read of its symbolism reveals exactly what is being planned and what knowledge it is referring to.
Masonic Boy on Masonic Floor
We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:
“Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?
A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.”
- Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor
Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?
This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.
Blond boy hammering a sword into a plowshare. Note that the boy is wearing a traditional Bavarian costume … perhaps as in Bavarian Illuminati?
Burning Bush, Woman in Cube and Pyramid
Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament. The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.
“In the third Exodus it is record that, while Moses was keeping the flock of Jethro on Mount Horeb, “the angle of Lord appeared unto him in a flame of fire out of the midst of a bush”, and there communicated to him for the first time his Ineffable Name. This occurrence is commemorated in the Burning Bush of the Royal Arch Degree. In all systems of antiquity, fire is adopted as a symbol of Deity; and the Burning Bush, or the bush filled with fire which did not consume, whence came forth the Tetragrammaton, the symbol of Divine Light and Truth, is considered in the advanced degrees of Freemasonry, like the Orient in the lower, as the great source of true Masonic light; wherefore Supreme Councils of the Thirty-Third Degree date their balustres or official documents, “near the B.B.” or Burning Bush, to intimate that they are, in their own rite, the exclusive source of all Masonic instruction”.
- Albert G. Mackey, Encyclopedia of Freemasonry, Part 1
In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in occult teachings.
A strange feature of the painting is the woman apparently trapped inside a transparent cube, hanging from threads coming from the sky. Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube) and manipulated by unseen the forces from above?
Stairs and Black Sun
Jacob’s ladder and a black sun
On the left of the image are stairs, apparently leading to the heavens, a classic symbol representing the path to illumination/Illuminati through the mysteries of Masonry.
A Masonic engraving depicting stairs leading from the Masonic floor to the “outside”
In the sky is a black sun, another symbol of an esoteric significance. Hermetic traditions teach the existence of two suns, an invisible and etheric one made of pure “philosophical gold” and the material one, the only one the profane can perceive, known as the Black Sun.
In alchemy, the black sun (Sol niger) is the name of the result of the first stage of the Opus Magnum. The alchemical Magnum Opus (or Great Work) starts with the “blackening” – the calcination of crude metals – and ends with their transmutation into pure gold.
Today, the symbol of the Black Sun is mostly associated with esoteric Nazism and cults such as the Temple of Set. It is also found in odd places such as:
Bracken House, London. The Black Sun beares the face of Winston Churchill.
…and, once again, the Denver International Airport.
Floor design in the DIA depicting a black sun moving in front of the golden sun
The right fresco therefore seems to portray the first step of a “Great Work” that needs to be accomplished, as symbolically represented by the black sun. Men dressed in suits (one of them oddly looks like Adam Weishaupt), seem to be preparing a new generation of Masonic youth. Meanwhile, the “profane” seem to be idling in an translucent cube, controlled by invisible puppeteers.
The middle fresco, Chaos/Creativity, depicts a turbulent transitional period. Many details within the painting describe this profound turmoil, which seem to be affecting all part of society and civilization. We find military and religious figures, people protesting and much more.
Barb wires, nets and soldiers on the streets tell the viewers that this period of turmoil is also one of oppression. The nun does not seem very pleased either.
At the left of the painting is a person wearing a biohazard suit, hinting to some kind of chemical warfare.
Person in gas suit
For this reason, and many more, I find this painting very similar to one of the Denver Airport’s murals … the most infamous one.
This mural of the DIA portrays a militaristic figure wearing a gas mask and oppressing an endless line of sad people. Chemical warfare, military repression, dead babies … what is there not to like about this image?
If we look at the top of the fresco, we see translucent beings spinning with fire, perhaps implying that the turmoil is also happening on a metaphysical, cosmic or astral level.
Spinning naked bodies in a vortex of fire
This round fiery shape can also be likened to a sun. Its pale golden color and the transparency of its figures can be associated with the intermediate step of the great alchemical work named “Whitening”. Jung compared this step with daybreak, the preparation for the next and final stage, which is the sunrise, characterized by the color red. Which is, of course, the most prominent color of the left fresco.
Is he dead or sleeping? And what does “EQ” mean?
An odd detail of the fresco is this man blending with the earth, apparently in deep sleep … or is he buried? This is also reminiscent of the (unsettling) sleeping little boy on the DIA murals.
A helpless little boy sleeping (or dead) under a red blanket
What Is The Meaning of the Frescoes?
Like most elitist art, the frescoes on display at the headquarters of Bank of America, the largest bank in America, tell a story intended to be decoded by those in the know. The frescoes seem to depict three stages of world transformation – planning, chaos and achievement – and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (blackness), Albedo (whiteness) and Rubedo (redness). The frescoes beare many resemblances to the murals of the Denver International Airport, which also depict progressive phases of a profound transformation of society after a period of intense turmoil.
The first fresco displays a wide array of occult symbols, some directly referring to Freemasonry. This is quite astonishing as the painting is in the lobby of the headquarters of the United States’ most predominant bank and not in a Masonic lodge … but perhaps there is some overlap. Those who are “in the know” and initiated to the Mysteries are those who are qualified to accomplishing the planning process, which in this painting seem to be the men in suits, whose ties match the red and white checker-board floor, and who make plans for the future generation, represented by the blond Masonic boy.
In the second fresco, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually go into an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies get adopted. Does this piece refer to the loss of civil liberties and the rise of a police state? There is also a metaphysical aspect to the image, represented by the spinning naked bodies that appear as the sun, implying that the period turmoil is also happening on a cosmic level.
The last fresco gives a sense of “mission accomplished”, with the dominant figure surveying the work, while also conveying the message that “the work is never totally done” as labourers are still hard at work in the underground. This is reminiscent of the movie Metropolis, where a class of workers silently slave away underground to sustain the elite’s utopia. I also can’t help but being reminded of the 33 Chilean miners while looking at those workers …
The Bank of America frescoes are yet another example of the elite’s agenda being “hidden in plain sight”. These giant images, on display for all to see, but designed to be understood by few, describe the philosophy of the elite rulers, their occult knowledge and their plans for the future. As it is the case for all works of art, it is possible to interpret these paintings on numerous levels and to come up with different conclusions. It is, however, difficult to ignore the recurrent themes found in the”Sinister Sites” described on The Vigilant Citizen: prevalent occult symbolism, the heralding of a “new era”, contempt for the profane masses, celebration of repression and war, etc. When comparing the Bank of America frescoes with the art of the DIA and the Georgia Guidestones, we can find a definite consistence in their symbolism, their tone and their message. This leads me to believe that the same group is behind all of those sites and many more. Whoever they are, we know a few things for sure: they are extremely rich, extremely powerful and they don’t really like you … because you are not one of Them.